Today on Musings with Inbal, let’s look at Anna Magdalena’s quirky slurs, the quick alternation of strings that create special sound effects, and – as always – different voices in the Gigue from Bach’s Cello Suite No. 3 in C Major, BWV 1009.
Inbal Segev
Today on Musings with Inbal, let’s look at Anna Magdalena’s quirky slurs, the quick alternation of strings that create special sound effects, and – as always – different voices in the Gigue from Bach’s Cello Suite No. 3 in C Major, BWV 1009.